ABOUT

Grègór Belibi Minya (1989) is a painter and composer of electroacoustic music

 

Grègór's work is a captivating exploration of the relationship between music and painting, and their role in understanding our place in the universe. Rooted in metaphysics, her work is a tangible and engaging experience that challenges our deepest beliefs.

From his first inspirations of Rembrandt, through the abstract expressionists and the Color Field, Grègór knew how to immerse himself in the masters of light in a balance of colorful expressiveness and dynamic emptiness.

Grègór uses universal and inner forces to create vital lines that constantly recall the cycle of life, in a subtle balance between order and chaos. The color becomes the emotional information embodied in the work and invites the viewer to a synesthetic approach.

Nourished by the transversality of his Hungarian and Cameroonian interbreeding, Grègór is as much a visual artist as a composer. He creates character sound pieces, ranging from melodic writing to concrete music, inspired by Ryuichi Sakamoto, Arvo Part, Max Richter or even Daftpunk.

Her pastel drawings and paintings look at and listen to each other through a visual sound that is unique to her.


This is how he developed a research, aimed at creating new spaces of expression through the development of his audiovisual paintings enabled by new technologies.

Visually linked to color, rhythm and materiality, his work is also very corporeal and attached to a certain naturalism of form, like the peasant who works his land, the artist rubs, kneads and hollows out the color.

Grègór's work is immediately identifiable by the color, the energy charge and the spiritual dimension that emerges from his works.

By offering sensitive experiences, the latter offers us an elsewhere: that of a singular quest and its eternal questions.

Ultimately, Grègór's work is an invitation to a new self-experience, where intuition and imagination are called upon to question our own reality and explore our place in the universe.

His bold take on the relationship between music and painting is an artistic experience that is sure to captivate and inspire the viewer.

text by Paul Trigoust, curator

 
 

BIOGRAPHY

TEACHING

History of contemporary music

New technology for music

Musical composition Chambéry 2023 / 2024

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Higher School of Art and Media Caen 2016 / 2018

Higher School of Art and Media Cherbourg 2015 / 2016

School of Fine Arts Nîmes 2014 / 2015 

Municipal school of art Chambéry 2008 / 2013


Maison des artistes (MDA)

Société des auteurs dans les arts graphiques et plastiques (ADAGP)